The work of Bristol sound co-founder the musician-producer, this scabrous though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one important plot development, but it leads to a comically executed chaotic run on the woodland paths that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in British and Irish cinemas from 17 November.
